MYSTICAL (My)/WORLDLY (Wo)
Mystical people look to the spiritual world for guidance; Worldly people concern themselves with the affairs of this world -- many religions measure piety by the Mystical trait, while others measure piety by the Worldly trait, for their religion is of this world.
A mystical character often dwells on spiritual matters, and is aware of them and their implications in the material world. (This is not the same as worship, which is an action rather than a belief.) A mystical person is a spiritual person. An extremely pious person is devout or zealous, perhaps even saintly. Worldly indicates profligacy, taking great pleasure in temporal things such as fine clothes, comfortable furnishings, good music and poetry, and the best company. Do not confuse Worldly with Indulgent; the two often go hand-in-hand, but they are not the same.
Mystical is often used to make Knowledge (arcana, planes, religion), Spellcraft, and Use Magical Device rolls. Worldly, on the other hand, is involved in determining the maximum amount of weight your character can carry and in calculating hit points and is often used to make Knowledge (engineering, geography, history, local, nature, nobility), Profession, and Sense Motive rolls. Sometimes, it’s used to make Climb, Swim, Fly, Ride, Fortitude, Appraise, Craft, Linguistics, Survival, and Handle Animal rolls, as well as rolls to perform feats of strength. Both Mystical and Worldly are often used with Perception rolls.
Paladins use Mystical to determine how many skill ranks they receive each level.
Mystical governs the spellcasting of clerics, while Worldly governs that of druids and rangers.
PRUDENT (Pru)/RECKLESS (Re)
Prudent people look before they leap and think things through before acting. Reckless people believe in deeds, not words and trust in their instincts and skills to preserve them.
The prudent character gives thought to what they do before they act. Such a character is called cautious, and excessively prudent people are called shrewd, circumspect, or discerning — or “slow to act.” The reckless character acts before they think things through, without concern for anything but the immediate consequences. An extremely reckless character is called careless, or a hothead.
Prudent is involved in calculating your character’s Armor Class (AC) and is often used to make Reflex, Disable Device, Escape Artist, Sleight of Hand, Stealth, Appraise, Craft, Knowledge (engineering), Perception, Profession, Sense Motive, and Survival rolls. One of the common traits used to make attack rolls, Reckless is also used in Climb, Swim, and Acrobatics rolls, as well as rolls to perform feats of strength and Fly or Ride checks to charge or increase your mount’s speed beyond its wont. Both Prudent and Reckless are sometimes used to make Will and Intimidate rolls.
Barbarians use Reckless to determine how many skill ranks they receive each level.
TEMPERATE (Te)/INDULGENT (In)
Temperate people restrain their appetites and eat wisely and drink little. Indulgent people party the night away and eat and drink until they are fuller than full.
Temperance means that a character takes only what he needs of food, drink, and other temporal needs. They are frugal and abstain from excess. Extreme temperance indicates asceticism, perhaps even self-mortification. An indulgent character is a gourmand: they take pleasure in food and drink, both in quality and quantity. Extremes of this indicate gluttony and drunkenness.
Temperate is sometimes used with Fly or Ride rolls to reflect the careful treatment of the mount, as well as Survival rolls. Indulgent, on the other hand, is involved in calculating hit points; it’s also often used to make Appraise rolls and certain kind of Craft (like Craft (food)) and Knowledge (local, nobility) rolls. Temperate is more often used to make Fortitude rolls than Indulgent, but sometimes Indulgent can be used to reflect a body that’s used to handling new and strange excesses. Both Temperate and Indulgent are sometimes used to make Will and Heal rolls.
Monks use Temperate to determine how many skill ranks they receive each level, while sorcerers use Indulgent.
TRUSTING (Tr)/SUSPICIOUS (Su)
Trusting people assume the best of everyone until proven otherwise; Suspicious people fear the worst of everyone until proven otherwise.
One who is trusting tends to believe information without any inclination to suspect its falsity. An excessively trusting person is gullible and credulous, perhaps even a dupe. Suspicious indicates that a person is unlikely to believe what they hear unless proof is offered. An extremely suspicious person is called a skeptic or a doubter. A naturally suspicious person might still be extremely pious, however.
In some cases, jealousy is included under the Suspicious trait. Thus when someone acts jealous, they may start making rolls with Suspicious. Furthermore, Suspicious is one of the common traits used to make attack rolls, as well as being involved in calculating your character’s Armor Class (AC), and is often used to make Reflex, Disable Device, Escape Artist, Appraise, Will, Perception, Profession, Sense Motive, Bluff, and Disguise rolls. Trusting is sometimes used to make Handle Animal rolls. Both Trusting and Suspicious are often used to make Knowledge (local, nobility), Linguistics, and Diplomacy rolls.
VALOROUS (Va)/COWARDLY (Co)
Valorous people do not shrink from honest, fair battle. Extremely valorous people do not shrink from possibly suicidal battle. Cowardly people seize any chance to avoid combat.
To be valorous means to be brave and courageous, willing to place oneself in danger for the sake of victory, friends, or the simple love of battle. Many PCs, by dint of being the protagonists in an action-adventure story, are valorous, and thus might be referred to as doughty, stalwart, or valiant. Extremely heroic individuals are often called fearless or intrepid. Valor may be exhibited not only in combat, but whenever risks to one’s health or wellbeing are involved. Cowardly means to be fearful of pain and of harm to one’s self. Someone who is extremely faint-hearted is labeled as a poltroon, dastard, craven, caitiff, or recreant.
As mentioned before, the types of stories told in fantasy RPGs tend to privilege Valorous characters, though Cowardly heroes can be a helluva lot of fun. Accordingly, these two Virtues are very often used to make a wide variety of rolls in Middens & Morals. To start with, Valorous is one of the common traits used to make attack rolls, and is sometimes used to make Fortitude and Will rolls, too. Battlefield medicine often uses Valorous to make Heal rolls, and Valorous can reveal information about your opponent when used with Perception. Cowardly is involved in calculating your character’s Armor Class (AC) and often used with Stealth rolls and Perception rolls to detect ambushes and surprise attacks. Both Valorous and Cowardly (depending usually on the direction one is moving in relation to the enemy) are often used to make Climb, Swim, and Sense Motive rolls and feinting, ambushing, distracting, and other such tactics often use either Valorous or Cowardly to make Bluff rolls. Though swashbucklers and the like are probably using Proud or Reckless to make Acrobatics rolls, there are times when either Valorous or Cowardly will be more appropriate.
Fighters use Valorous to determine how many skill ranks they receive each level.
Showing posts with label self-perfection. Show all posts
Showing posts with label self-perfection. Show all posts
Sunday, July 22, 2018
Sunday, July 15, 2018
Virtues, continued (Design Domingo #4)
GENEROUS (Ge)/SELFISH (Se)
Generous people keep only what they need to maintain their station and reward their followers well; Selfish people are stingy and accumulate wealth all for themselves beyond their station.
Generous determines the impulse, learning, or desire to share with others. It includes the largesse of barbarian chieftains, and also the famed virtue of Charity. Extremely generous persons are called unselfish, magnanimous, and big-hearted. Selfish is the desire to possess, keep, and further accumulate things for oneself. Greed is usually a component of selfishness. This possessiveness usually regards material property and wealth, with the character being known as a miser or hoarder, but it might apply to glory, so that the character always wishes to keep the most glorious tasks and duties for themself. Very selfish persons are labeled both stingy and self-serving.
Generous is often used to make rolls to perform feats of strength or Heal rolls when your character is helping someone out, or with Handle Animal rolls in general. It’s sometimes also used with Fly and Ride checks involving overland travel, where endurance and being well-fed determine your mount’s performance more than anything else. In some cases, jealousy is included under the Selfish trait. Thus when someone acts jealous, he may begin rolling with Selfish. Beyond that, Selfish is sometimes used to make Reflex rolls, especially ones to protect a character’s stuff, as well as Bluff rolls. Both Generous and Selfish see common use with Disable Device, Craft, Knowledge (nobility), and Profession rolls and, depending on what you’re doing, with Sleight of Hand and Stealth rolls, too. Selfish is more often used to make Appraise and Will rolls, but there are situations in which Generous is used instead.
Rogues use Selfish to determine how many skill ranks they receive each level.
HONEST (Ho)/DECEITFUL (De)
Honest people are truthful and never lie under oath. Deceitful people use words as weapons to snare others with tricks.
To be honest is to deal truthfully with others, both in matters of import or triviality, no matter what the consequences. Persons of extreme honesty are said to have integrity and to be trustworthy, scrupulous, and reliable. A deceitful person is generally likely to distort truths, or to fabricate untruths, for their own ends (or perhaps on behalf of others) — or in some cases, simply for the sake of doing so. Chronically deceitful people are called liars, frauds, and false-hearted.
Honest is often used to make Diplomacy rolls, while Deceitful is often used with Escape Artist, Sleight of Hand, Stealth, Sense Motive, Bluff, Disguise, and Use Magic Device rolls. It’s also involved in calculating your character’s Armor Class (AC). Both Honest and Deceitful are often rolled to make Knowledge (all), Linguistics, Will, Profession, and Perform rolls and sometimes Intimidate rolls, too.
Clerics and druids use Honest to determine how many skill ranks they receive each level, to reflect the fervent nature of their faith.
MODEST (Mo)/PROUD (Pro)
Modest people play down their glory and do not ask for praise; Proud people sing their own praises and expect the accolades of others.
To be modest is to be quiet and reserved about one’s gifts and accomplishments, not seeking excessive attention in the recitation of one’s own deeds. A modest character is glad simply to perform deeds, rather than bask in the repeated glory of hearing about them. Very modest people are called humble and reserved, or perhaps even shy. The Proud trait indicates the degree to which one gets pleasure from hearing and/or boasting of their deeds. Many lifeways value Pride in a character. Excessive pride implies arrogance, and likely a boastful nature.
Proud is often used to make Acrobatics, Profession, Bluff, Intimidate, and Perform rolls, and sometimes used to make Climb and Swim rolls. Rolls to perform feats of strength, too. Modest people sometimes make interesting use of both Sleight of Hand and Stealth, so it’s sometimes used for those rolls, as well as for Knowledge (nature), Perception, Survival, and Handle Animal rolls. Meanwhile, both Proud and Modest are sometimes used to make Knowledge (local, nobility) and Diplomacy checks.
Proud governs the spellcasting of bards and also determines how many skill ranks they receive each level. They’re one of two classes which use the same trait for both (the other being wizards).
JUST (Ju)/ARBITRARY (Ar)
Just people adhere to the law. Arbitrary people do whatever they like.
A just character is capable of telling what is right and wrong (within the mores of their upbringing and their personal beliefs), and is desirous of passing due judgment based on that information. A very just person is called fair and impartial. Arbitrary means that the character has no concern for what is right or wrong, and uses other information and bases for his decision making. Very arbitrary people are labeled unjust, unfair, wrongful, and probably biased and partial.
Both Just and Arbitrary are one of the common traits used to make attack rolls and Knowledge (local, nobility) rolls. Arbitrary is sometimes used to make Escape Artist, Sleight of Hand, Stealth, Will, Bluff, Intimidate, Perform, and Use Magic Device rolls. Fly, Ride, and Handle Animal rolls sometimes use Just, as the animal learns more easily what a just rider wants. It’s also often used to make Appraise, Knowledge (history), Perception, Profession, Sense Motive, and Diplomacy rolls.
Just governs the spellcasting of paladins.
MERCIFUL (Me)/CRUEL (Cr)
Merciful people accept surrenders and treat prisoners well. Cruel people find it better to kill those who surrender so they can't cause you future trouble, or else to break their will through torture.
Mercy indicates a tendency to extend sympathy, pity, and aid to others. This includes sparing an enemy, giving money to the poor, helping the weak, and any other act that is not expected of one’s rank and station. A very merciful person is called compassionate. Cruel indicates a disregard for the feelings and needs of others, or lack of sympathy. High values in Cruel indicate that the character actually enjoys the discomforts and troubles of others.
Cruel is one of the common traits used to make attack rolls (especially melee attack rolls). Perception and Intimidate checks, too. Another incredibly powerful trait for combat-oriented characters, it also adds to damage rolls. Merciful sometimes finds use with Escape Artist rolls and often with Heal rolls. Depending on how you treat your mount, both Merciful and Cruel are often used to make Fly or Ride checks and sometimes both can be used with Sleight of Hand rolls to set people up or help them avoid the eyes of the law (or in similar situations, obviously).
Generous people keep only what they need to maintain their station and reward their followers well; Selfish people are stingy and accumulate wealth all for themselves beyond their station.
Generous determines the impulse, learning, or desire to share with others. It includes the largesse of barbarian chieftains, and also the famed virtue of Charity. Extremely generous persons are called unselfish, magnanimous, and big-hearted. Selfish is the desire to possess, keep, and further accumulate things for oneself. Greed is usually a component of selfishness. This possessiveness usually regards material property and wealth, with the character being known as a miser or hoarder, but it might apply to glory, so that the character always wishes to keep the most glorious tasks and duties for themself. Very selfish persons are labeled both stingy and self-serving.
Generous is often used to make rolls to perform feats of strength or Heal rolls when your character is helping someone out, or with Handle Animal rolls in general. It’s sometimes also used with Fly and Ride checks involving overland travel, where endurance and being well-fed determine your mount’s performance more than anything else. In some cases, jealousy is included under the Selfish trait. Thus when someone acts jealous, he may begin rolling with Selfish. Beyond that, Selfish is sometimes used to make Reflex rolls, especially ones to protect a character’s stuff, as well as Bluff rolls. Both Generous and Selfish see common use with Disable Device, Craft, Knowledge (nobility), and Profession rolls and, depending on what you’re doing, with Sleight of Hand and Stealth rolls, too. Selfish is more often used to make Appraise and Will rolls, but there are situations in which Generous is used instead.
Rogues use Selfish to determine how many skill ranks they receive each level.
HONEST (Ho)/DECEITFUL (De)
Honest people are truthful and never lie under oath. Deceitful people use words as weapons to snare others with tricks.
To be honest is to deal truthfully with others, both in matters of import or triviality, no matter what the consequences. Persons of extreme honesty are said to have integrity and to be trustworthy, scrupulous, and reliable. A deceitful person is generally likely to distort truths, or to fabricate untruths, for their own ends (or perhaps on behalf of others) — or in some cases, simply for the sake of doing so. Chronically deceitful people are called liars, frauds, and false-hearted.
Honest is often used to make Diplomacy rolls, while Deceitful is often used with Escape Artist, Sleight of Hand, Stealth, Sense Motive, Bluff, Disguise, and Use Magic Device rolls. It’s also involved in calculating your character’s Armor Class (AC). Both Honest and Deceitful are often rolled to make Knowledge (all), Linguistics, Will, Profession, and Perform rolls and sometimes Intimidate rolls, too.
Clerics and druids use Honest to determine how many skill ranks they receive each level, to reflect the fervent nature of their faith.
MODEST (Mo)/PROUD (Pro)
Modest people play down their glory and do not ask for praise; Proud people sing their own praises and expect the accolades of others.
To be modest is to be quiet and reserved about one’s gifts and accomplishments, not seeking excessive attention in the recitation of one’s own deeds. A modest character is glad simply to perform deeds, rather than bask in the repeated glory of hearing about them. Very modest people are called humble and reserved, or perhaps even shy. The Proud trait indicates the degree to which one gets pleasure from hearing and/or boasting of their deeds. Many lifeways value Pride in a character. Excessive pride implies arrogance, and likely a boastful nature.
Proud is often used to make Acrobatics, Profession, Bluff, Intimidate, and Perform rolls, and sometimes used to make Climb and Swim rolls. Rolls to perform feats of strength, too. Modest people sometimes make interesting use of both Sleight of Hand and Stealth, so it’s sometimes used for those rolls, as well as for Knowledge (nature), Perception, Survival, and Handle Animal rolls. Meanwhile, both Proud and Modest are sometimes used to make Knowledge (local, nobility) and Diplomacy checks.
Proud governs the spellcasting of bards and also determines how many skill ranks they receive each level. They’re one of two classes which use the same trait for both (the other being wizards).
JUST (Ju)/ARBITRARY (Ar)
Just people adhere to the law. Arbitrary people do whatever they like.
A just character is capable of telling what is right and wrong (within the mores of their upbringing and their personal beliefs), and is desirous of passing due judgment based on that information. A very just person is called fair and impartial. Arbitrary means that the character has no concern for what is right or wrong, and uses other information and bases for his decision making. Very arbitrary people are labeled unjust, unfair, wrongful, and probably biased and partial.
Both Just and Arbitrary are one of the common traits used to make attack rolls and Knowledge (local, nobility) rolls. Arbitrary is sometimes used to make Escape Artist, Sleight of Hand, Stealth, Will, Bluff, Intimidate, Perform, and Use Magic Device rolls. Fly, Ride, and Handle Animal rolls sometimes use Just, as the animal learns more easily what a just rider wants. It’s also often used to make Appraise, Knowledge (history), Perception, Profession, Sense Motive, and Diplomacy rolls.
Just governs the spellcasting of paladins.
MERCIFUL (Me)/CRUEL (Cr)
Merciful people accept surrenders and treat prisoners well. Cruel people find it better to kill those who surrender so they can't cause you future trouble, or else to break their will through torture.
Mercy indicates a tendency to extend sympathy, pity, and aid to others. This includes sparing an enemy, giving money to the poor, helping the weak, and any other act that is not expected of one’s rank and station. A very merciful person is called compassionate. Cruel indicates a disregard for the feelings and needs of others, or lack of sympathy. High values in Cruel indicate that the character actually enjoys the discomforts and troubles of others.
Cruel is one of the common traits used to make attack rolls (especially melee attack rolls). Perception and Intimidate checks, too. Another incredibly powerful trait for combat-oriented characters, it also adds to damage rolls. Merciful sometimes finds use with Escape Artist rolls and often with Heal rolls. Depending on how you treat your mount, both Merciful and Cruel are often used to make Fly or Ride checks and sometimes both can be used with Sleight of Hand rolls to set people up or help them avoid the eyes of the law (or in similar situations, obviously).
Sunday, July 8, 2018
O holy Virtue! (Design Domingo #3)
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Sunday, June 24, 2018
Introducing Middens & Morals {Design Domingo #1}
“I must Create a System, or be enslav'd by another Man's;
I will not Reason and Compare: my business is to Create.”
--William Blake, Jerusalem: the Emanation of the Giant Albion, chapter 1, plate 10, lines 20-21, The Words of Los
Welcome to Design Domingo!
Yeah, I know, but I couldn't think of a good word to describe creating my own game system that alliterated without using the Spanish word for Sunday. And I, like Tolkien and the Anglo-Saxon skalds he flattered with imitation, enjoy alliteration. *shrug* It's a thing.
Welcome to my long-running Fantasy Heartbreaker project, currently named Middens and Morals. I seem to mean something slightly different than Ron Edwards and many people by the term “Fantasy Heartbreaker”. I tend to mean by it a homebrew RPG system that someone tinkers with on and off for years or decades, trying to get it just right. Fantasy Heartbreakers are generally attempts to do “D&D but better” or (more rarely) “Exalted but better”; there are also a number of Sci-Fi Heartbreakers (“Traveller but better”), Cyberpunk Heartbreakers (“Cyberpunk 2020 or Shadowrun but better”), Gothic Heartbreakers (“World of Darkness but better”), and arguably every superhero game is some level of Supers Heartbreaker (sometimes they’re trying to improve on a better game, but just as often they’re starting from scratch). They don't break hearts cuz of an old nickname of the Christian God or a much-newer Pat Benatar song (*sigh* Oh, Pat ~ I will always love you); they break hearts because they never quite capture what their creators are trying to capture with the elegance of design that is required of RPG mechanic design. But, of course, that's not really the point, is it? We ask ourselves questions that have no elegant answers in order to whet the blade of our thoughts, to shape the cup of our mind, so that when we do ask questions that have elegant answers we can speedily reach those heights that are higher than they could be if such was our first attempt at elegance. They are sandboxes, where we can play and put things together and not have to worry whether the sand coheres into adobe that will last the centuries.
It's also, well, like that Japanese company that figured out that everyone's shit has tiny, tiny, miniscule amounts of gold in it (we already know what Freud would say, by the way) and that building a factory to separate out this gold from the stinky remains of Tokyo living which hid it from prying eyes would not only be economically feasible, but quite profitable. This series of posts is the shit that has come about from all the RPGs I've consumed over the last two and a half decades or so of my life (since I was about 10 or 11) ~ I can only hope the gold is relatively easy to see among it. And that the smell is the rich, earthy, fertile smell of a truly satisfying shit, and not the putrescence that flows from the SAD (Standard American Diet ~ no, literally, this is an acronym used by actual scientists and policymakers).
“Man was made for joy and woe,
And when this we rightly know
Through the world we safely go.
Joy and woe are woven fine,
A clothing for the soul divine.”
--William Blake, Auguries of Innocence
There’s a tension inherent in what we call the European Dark Ages or the (different) period we call Middle that fascinates me. {I’m talking here about the general mishmash of memes in all of our heads, not the actual thousand years or so between the Fall of Rome and the onset of Early Modernity.} It's a world beyond alien to us modern folk. Basically none of the things we consider vital for mental health were present and available to the large mass of people. Work was often constant and backbreaking and, although alienation of labor hadn't yet set in, taxes were high enough in crops, money, and men that we might consider a similar fruitlessness of one's labors to have pertained. Nutrition was poor, flavors bland, and diet unvaried. Feudalism is a system of rests on everyone in the social hierarchy lacking control of their destiny, and, in any view of the time period with even the slightest pinch of grimdark added, being subject to constant tests of loyalty and abusive manipulations by what we would now call warlords or gang leaders. Disease was a constant companion, even without the Armageddon of plague. You know how toothaches carry with them just the most intensely depressing emotional load in addition to their owie factor? Not only would toothaches (and other such pains) be more common thanks to the undeveloped state of medicine, painkillers would have been unavailable or much weaker than we have today. Transportation being much slower and recreational time being more limited (vacation? What’s that?), seeing someone who lived even two miles away could happen but a few times a week, and long stretches of time were spent alone or in small groupings. And therapy? What’s that?
And yet, despite all of this ~ or maybe because of it ~ the cultures of the time were fascinated with rising up out of the muck, ascending into a Heavenly bliss. Stories filled the pages and the ears with the quests of shining paragons of virtue and their striving to achieve and (harder still) maintain that exalted state. Priests preached an honor that was an exacting discipline, and every effort was taken to maintain the image of the ruling classes fulfilling them. Popular entertainment ~ books, poems, street entertainment, and theatrical plays ~ centered on questions of virtue in deed and in attitude, inventing the genres of the “morality play” and the “passion play”. Characters in these plays often lacked identity beyond their role and/or moral status, with names like “Everyman”, “Pilgrim”, “Temptation”, and “Prudence”. Religion was much more suffused into everyday life than it is now, a constant gaze above the clouds and past the Pearly Gates. Careful attention was paid to one’s behaviors, thoughts, and ways of being to refine them in an alchemy whose methods ranged from the explicit and arcane (that is to say, alchemy itself) to the mundane and banal, but always to the goal of forging your soul into gold worthy of keeping company with angels. Chivalry grew, ensconcing further the reign of the feudal warlords but attempting to bend it towards a Godly purpose to match its divine right of kings; Romance developed, in part, as what we might call Zeroth Wave feminism, lending a measure of agency to women in the grinding processes of what would eventually become heterosexuality. Even (many of the) countercultures of the time approached things from this yearning for an angelic life ~ utopian movements even back then were explicitly attempting to build the Kingdom of Heaven on Earth. The Diggers, for example, (ancestors of us anarchists, socialists, and communists) explicitly based their belief in economic equality in a passage from the Bible. The same effect carries over to the self-consciously antinomian movements of the day ~ those Gnostic sects in this category were striving to achieve the glory of the Pleroma by breaking the rules of this earthly prison; even Sin could be found to be Virtue! This is the time the Grail chose to be findable.
“I hold a beast, an angel, and a madman in me, and my enquiry is as to their working, and my problem is their subjugation and victory, down throw and upheaval, and my effort is their self-expression.”
--Dylan Thomas
I am fascinated by this contradiction. All that is best in life and all that is worst in life all mixed up and blended together in Dung Ages stage strewn with the midden trash of what passed for civilization at the time. This is humanity in its most distilled essence, the truest nature of what it is to be us. So, I thought, why don't I try to recreate D&D in its image, mixing in all the lovely off-the-wall fantastic elements I can?
I will not Reason and Compare: my business is to Create.”
--William Blake, Jerusalem: the Emanation of the Giant Albion, chapter 1, plate 10, lines 20-21, The Words of Los
Welcome to Design Domingo!
Yeah, I know, but I couldn't think of a good word to describe creating my own game system that alliterated without using the Spanish word for Sunday. And I, like Tolkien and the Anglo-Saxon skalds he flattered with imitation, enjoy alliteration. *shrug* It's a thing.
Welcome to my long-running Fantasy Heartbreaker project, currently named Middens and Morals. I seem to mean something slightly different than Ron Edwards and many people by the term “Fantasy Heartbreaker”. I tend to mean by it a homebrew RPG system that someone tinkers with on and off for years or decades, trying to get it just right. Fantasy Heartbreakers are generally attempts to do “D&D but better” or (more rarely) “Exalted but better”; there are also a number of Sci-Fi Heartbreakers (“Traveller but better”), Cyberpunk Heartbreakers (“Cyberpunk 2020 or Shadowrun but better”), Gothic Heartbreakers (“World of Darkness but better”), and arguably every superhero game is some level of Supers Heartbreaker (sometimes they’re trying to improve on a better game, but just as often they’re starting from scratch). They don't break hearts cuz of an old nickname of the Christian God or a much-newer Pat Benatar song (*sigh* Oh, Pat ~ I will always love you); they break hearts because they never quite capture what their creators are trying to capture with the elegance of design that is required of RPG mechanic design. But, of course, that's not really the point, is it? We ask ourselves questions that have no elegant answers in order to whet the blade of our thoughts, to shape the cup of our mind, so that when we do ask questions that have elegant answers we can speedily reach those heights that are higher than they could be if such was our first attempt at elegance. They are sandboxes, where we can play and put things together and not have to worry whether the sand coheres into adobe that will last the centuries.
It's also, well, like that Japanese company that figured out that everyone's shit has tiny, tiny, miniscule amounts of gold in it (we already know what Freud would say, by the way) and that building a factory to separate out this gold from the stinky remains of Tokyo living which hid it from prying eyes would not only be economically feasible, but quite profitable. This series of posts is the shit that has come about from all the RPGs I've consumed over the last two and a half decades or so of my life (since I was about 10 or 11) ~ I can only hope the gold is relatively easy to see among it. And that the smell is the rich, earthy, fertile smell of a truly satisfying shit, and not the putrescence that flows from the SAD (Standard American Diet ~ no, literally, this is an acronym used by actual scientists and policymakers).
“Man was made for joy and woe,
And when this we rightly know
Through the world we safely go.
Joy and woe are woven fine,
A clothing for the soul divine.”
--William Blake, Auguries of Innocence
There’s a tension inherent in what we call the European Dark Ages or the (different) period we call Middle that fascinates me. {I’m talking here about the general mishmash of memes in all of our heads, not the actual thousand years or so between the Fall of Rome and the onset of Early Modernity.} It's a world beyond alien to us modern folk. Basically none of the things we consider vital for mental health were present and available to the large mass of people. Work was often constant and backbreaking and, although alienation of labor hadn't yet set in, taxes were high enough in crops, money, and men that we might consider a similar fruitlessness of one's labors to have pertained. Nutrition was poor, flavors bland, and diet unvaried. Feudalism is a system of rests on everyone in the social hierarchy lacking control of their destiny, and, in any view of the time period with even the slightest pinch of grimdark added, being subject to constant tests of loyalty and abusive manipulations by what we would now call warlords or gang leaders. Disease was a constant companion, even without the Armageddon of plague. You know how toothaches carry with them just the most intensely depressing emotional load in addition to their owie factor? Not only would toothaches (and other such pains) be more common thanks to the undeveloped state of medicine, painkillers would have been unavailable or much weaker than we have today. Transportation being much slower and recreational time being more limited (vacation? What’s that?), seeing someone who lived even two miles away could happen but a few times a week, and long stretches of time were spent alone or in small groupings. And therapy? What’s that?
And yet, despite all of this ~ or maybe because of it ~ the cultures of the time were fascinated with rising up out of the muck, ascending into a Heavenly bliss. Stories filled the pages and the ears with the quests of shining paragons of virtue and their striving to achieve and (harder still) maintain that exalted state. Priests preached an honor that was an exacting discipline, and every effort was taken to maintain the image of the ruling classes fulfilling them. Popular entertainment ~ books, poems, street entertainment, and theatrical plays ~ centered on questions of virtue in deed and in attitude, inventing the genres of the “morality play” and the “passion play”. Characters in these plays often lacked identity beyond their role and/or moral status, with names like “Everyman”, “Pilgrim”, “Temptation”, and “Prudence”. Religion was much more suffused into everyday life than it is now, a constant gaze above the clouds and past the Pearly Gates. Careful attention was paid to one’s behaviors, thoughts, and ways of being to refine them in an alchemy whose methods ranged from the explicit and arcane (that is to say, alchemy itself) to the mundane and banal, but always to the goal of forging your soul into gold worthy of keeping company with angels. Chivalry grew, ensconcing further the reign of the feudal warlords but attempting to bend it towards a Godly purpose to match its divine right of kings; Romance developed, in part, as what we might call Zeroth Wave feminism, lending a measure of agency to women in the grinding processes of what would eventually become heterosexuality. Even (many of the) countercultures of the time approached things from this yearning for an angelic life ~ utopian movements even back then were explicitly attempting to build the Kingdom of Heaven on Earth. The Diggers, for example, (ancestors of us anarchists, socialists, and communists) explicitly based their belief in economic equality in a passage from the Bible. The same effect carries over to the self-consciously antinomian movements of the day ~ those Gnostic sects in this category were striving to achieve the glory of the Pleroma by breaking the rules of this earthly prison; even Sin could be found to be Virtue! This is the time the Grail chose to be findable.
“I hold a beast, an angel, and a madman in me, and my enquiry is as to their working, and my problem is their subjugation and victory, down throw and upheaval, and my effort is their self-expression.”
--Dylan Thomas
I am fascinated by this contradiction. All that is best in life and all that is worst in life all mixed up and blended together in Dung Ages stage strewn with the midden trash of what passed for civilization at the time. This is humanity in its most distilled essence, the truest nature of what it is to be us. So, I thought, why don't I try to recreate D&D in its image, mixing in all the lovely off-the-wall fantastic elements I can?
Sunday, May 1, 2016
The Halfling Holiday of Longdays
"Sweet you came, and sweet you shall return."
--The Journal of Sacrifices 3:19c (from the Diaries)
When the halfling liturgical calendar embarks into Longdays, a period of forty-eight days of fasting, prayer, repentance, and reflection, often including a rather literal step into the desert, clergy in both the Apostolic Ǽtscúrárite /ǽtʃúrɑ́r/ Church (an inclusive, sacramental, esoteric, and mystical religion with apostolic succession) and the Outer Halfling Church join with religious people from around Walhiska /ɥɑ́rískɑ́/ of various different heritages and backgrounds. Halflings commonly remind themselves and each other that it’s often all too easy to let one’s mind wander while reading the more esoteric texts when, at this time, we should be focusing on making straight the way for the Divine to enter into our hearts.
Probably the most defining feature of Bróƿèo-Tḕrkṑ-Scúcrá /bróɥèotɛ̀rkɔ̀ʃúkrɑ́/ is the imposition of sugar which is made from the sugar canes blessed with the sweat, blood, and pained cries of halfling worshippers on the previous Fréo-Brī̀m-Scǽní /fréobrɪ̀mʃǽŋí/. This sugar is placed on the foreheads of the congregation with the accompanying phrase, “Remember that you are sweet, and still sweet you shall return.” To be sure, it’s a rather strange custom to many outsiders but to the faithful, it is a reminder that mortals were created to be amusement and candy for the gods, that people are therefore fundamentally carefree and joyful, and of their mortality – something that is easily forgotten in the crush and turmoil of daily lives.
"There is nothing noble in being superior to your fellow in ethics or wealth or rank; true nobility is being superior to your former self in pleasantry and beauty and cheer."
--halfling writer Éornòst Fíenƿḕg /éorŋòstfíyŋɥɛ̀g/
The quote by Fíenƿḕg, in many ways, could be said to be a proper quote to an understanding of this season of vows and the value of the role of remembrance in the spiritual process of dissolution, boiling, and caramelization. Mortals must descend and experience the bewildering confusion of being fully dissolved in the milk and water of nature, while at the same time recognizing the need for their own inner caramelization in the process.
When mortals remember, as Ǽngìmúngæ̀m /ǽŋːìmúŋːæ̀m/ speaks that the ‘delight of the gods is a thing we share along with equality’, they can come to a gentle understanding of how they all as a trifle sharing in a common cook all are engaged in this process, which is ultimately redemptive, and thus arrive at gnosis. We share in one another's suffering and learn compassion for the gods, that we are all suffering with, sharing in that sympathy with the Divine Light.
In Nìsèoƿṑsóró's /ŋìsèoɥɔ̀sóró/ writings, the Three Ends of Things are often compared to the three aspects that are present during the process of combustion (i.e. fire, smoke, ash): ‘Whatever burns is sulphur, whatever is humid is mercury, and that which is the balsam of these two is salt’. Nìsèoƿṑsóróans also employ the Three Ends of Things to represent the composition of the mortal microcosm: spirit (mercury), soul (sulphur) and body (salt), and this correlation is extended to some extent to a typology of the gods: the old gods (sulphur), the timeless gods (mercury), and the young gods (salt)."In this manner", states Nìsèoƿṑsóró, ‘in three things, all meets its end […] namely, in salt, in sulphur, and in liquid. In these three things all things are contained, whether sensate or insensate […] So too you understand that in the same manner that mortals are fed into the mouth of the gods, so too all creatures die in the number three’.”
“You are the salt of the earth; but if the salt has become tasteless, how can it be made salty again? It is no longer good for anything, except to be thrown out and trampled under foot by men.”
--Átscék's /ɑ́tʃék/ Diary
Within each mortal there is rot and decay, and unyummy things. It can be a voice from the past which reminds one of how worthless one is when one knows one is not. It can come from obsessing over failures one has made however big or small. It can come from study or work. It can also come from one's spiritual family as well. Longdays is such a time, then, to drop the burden of what one's been carrying for the past weeks or even years and is an invitation for mortal's to start out on a new adventure of forgiving themselves and others for the barriers that they have placed in their hearts which prevent the gods from coming to them more clearly, as well as to improve their flavor in the gods' mouths.
"What makes mortals free is the knowledge, of what they are, of what they can become, of where they were, of wherein they have been cast, of how they are being cooked, of what spices shall compliment their flavor, of what birth truly is, and what rebirth Truly is."
--halfling theologian Nwǽmùmgèmàn /ŋːʷǽmùmgèmɑ̀ŋ/
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